The PentaPhoto Photographic Agency relies on MomaPIX for the Management of its Photographic Archive
Identikit del cliente PentaPhoto is a prominent photographic agency known for its specialization in sports photography and visual storytelling. With a long and prestigious history in documenting internationally significant sports events, PentaPhoto has amassed an impressive archive of images capturing iconic moments in sports. The agency serves a […]
Gruppo Generali uses MomaPIX for managing its multimedia production
Customer Profile The Generali Group is one of the most significant international insurance and financial entities. A leader in Italy, its parent company, Assicurazioni Generali S.p.A., was founded in Trieste in 1831. Always characterized by a strong international projection, it is now present in more than 60 countries. The volume of historical images and photos […]
Improving the workflow associated with image management and distribution MomaPIX per Swiss-Image
Customer Profile Swiss-Image is a renowned Swiss photography agency, a leader in technological innovation for the dissemination of images during events, providing advanced tools to optimize visibility and media coverage. Customer Request Swiss Image aimed to improve the workflow related to the management and distribution of images during events. Their challenge was to simplify […]
Grosby Group uses MomaPIX to archive its corporate materials
Customer Profile For 20 years, Grosby Group has been an exclusive agency for entertainment content in Latin America and the US Hispanic market. The company manages a vast network of content providers, including photographers, videomakers, and creatives, with whom it collaborates to acquire the necessary materials. Thanks to this vast and continuously expanding representation, Grosby […]
The Gilardi historical archive is managed with the DAM software MomaPIX
Customer Profile The photographic archive of Ando Gilardi (1921 – 2012) represents a significant heritage for the documentation of post-war Italy. A photographer, journalist, historian, and critic of photography, between 1950 and 1962, he began to create photo reports as visual support for his articles. The collection of negatives from the Ando Gilardi Reporter fund […]
